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Is there any love purer than this, when you don’t even know what it is? She had a moist warm hand, and dark eyes and hair, this Eleanor. Neither of us was embarrassed by the fact that she was a good head taller than me. I remember her lisp, the way her tongue tip was caught between her teeth when she pronounced her S’s. She was not one of the socially self-assured ones who abounded in the girls’ side of the camp. She wore the uniform green shirt and gray bloomers they all wore but she was something of a loner, and in my eyes she seemed distinguished, fetching, thoughtful, and in some state of longing analogous to my own - for what, neither of us could have said. This was my first declared affection and so serious that even Langley, who lived in another cabin with his age group, did not tease me. I wove a lanyard for Eleanor and cut and stitched a model birch bark canoe for her.
Oh, but this is a sad tale I have wandered into. The boys’ and girls’ camps were separated by a stand of woods through the length of which was a tall wire fence of the kind to keep animals out and so it was a major escapade at night for the older boys to climb over or dig under this fence and challenge authority by running through the girls’ camp shouting and dodging pursuing counselors, and banging on cabin doors so as to elicit delighted shrieks. But Eleanor and I breached the fence to meet after everyone was asleep and to wander about under the stars and talk philosophically about life. And that’s how it happened that on one warm August night we found ourselves down the road a mile or so at a lodge dedicated like our camp to getting back to nature. But it was for adults, for parents. Attracted by a flickering light in the otherwise dark manse we tiptoed up on the porch and through the window saw a shocking thing, what in later time would be called a blue movie. Its licentious demonstration was taking place on a portable screen something like a large window shade. In the reflected light we could see in silhouette an audience of attentive adults leaning forward in their chairs and sofas. I remember the sound of the projector not that far from the open window, the whirring sound it made, like a field of cicadas. The woman on the screen, naked but for a pair of high-heeled shoes, lay on her back on a table and the man, also naked, stood holding her legs under the knees so that she was proffered to receive his organ, of which he made sure first to exhibit its enormity to his audience. He was an ugly bald skinny man with just that one disproportionate feature to distinguish him. As he shoved himself again and again into the woman she was given to pulling her hair while her legs kicked up convulsively, each shoe tip jabbing the air in rapid succession, as if she’d been jolted with an electric current. I was rapt - horrified, but also thrilled to a level of unnatural feeling that was akin to nausea. I do not wonder now that with the invention of moving pictures, their pornographic possibilities were immediately understood.
Did my friend gasp, did she tug at my hand to pull me away? If she did I would not have noticed. But when I was sufficiently recovered in my senses I turned and she was nowhere to be seen. I ran back the way we had come, and on this moonlit night, a night as black and white as the film, I could see no one on the road ahead of me. The summer had some weeks to go but my friend Eleanor never spoke to me again, or even looked my way, a decision I accepted as an accomplice, by gender, of the male performer. She was right to run from me, for on that night romance was unseated in my mind and in its place was enthroned the idea that sex was something you did to them, to all of them including poor shy tall Eleanor. It is a puerile illusion, hardly worthy of a fourteen-year-old mind, yet it persists among grown men even as they meet women more avidly copulative than they.
Excerpted from Homer & Langley by E. L. Doctorow Copyright © 2009 by E.L. Doctorow. Excerpted by permission of Random House, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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