-
Your next favorite book
is waiting.
Summary | Excerpt | Reading Guide | Reviews | Beyond the Book | Readalikes | Genres & Themes | Author Bio
Book Reviewed by:
We are three, their mother used to say. (They were three until they were four, but this was before Charlie came, and all of that.)
But mostly, the day-every day-was about ballet.
Their father was away for work so often, and for so long. To this substation, or to that airfield, doing things with fiber optics-none of them knew, really.
When he was gone, they wore leotards all day and danced for hours and hours, in the practice room, along the second-floor landing, in the backyard thick with weeds. They danced all day, until their feet radiated, tingled, went numb. It didn't matter.
That was how Dara remembered it now.
House cats. That's what their mother used to call them, which was funny, if you thought about it, because their mother was the one who kept them home with her. Not one sleepover, nor camping trip, nor a neighbor's birthday party their entire childhood.
They made their own fun. Once, on Valentine's Day, they all cut out valentines from faded construction paper and their mother made a lesson for them about love. She talked about all the different kinds of love and how it changed and turned and you couldn't stop it. Love was always changing on you.
I'm in love, Marie said, like always, talking about the fifth-grade boy with the birthmark who pulled her pants down, who had once hid under her desk and tried to stick a pencil between her legs.
That's not love, their mother said, stroking Marie's babyfine hair, brushing the back of her hand against Marie's forever-pink cheek.
Then she told them their favorite story, the one about a famous ballerina named Marie Taglioni, whose devotees were so passionate they once paid two hundred rubles, a fortune at that time, for a single pair of her discarded pointe shoes. After the purchase, they cooked, garnished, and ate the pointe shoes with a special sauce.
That, their mother told them, is love.
Now, more than two decades later, the Durant School of Dance was theirs.
All day, six days a week for the past more-than-a-dozen years, Dara and Marie taught in the cramped, cozy confines of the same ashen building where their mother had once reigned. Steamy and pungent in the summer and frigid, its windows snow-blurred, in the winter, the studio never changed and was forever slowly falling apart. Often thick with must, overnight rain left weeping pockets in every ceiling corner, dripping on students' noses.
But it didn't matter, because the students always came. Over a hundred girls and a few boys, ages three to fifteen, Pre-Ballet I to Advanced IV. And a waitlist for the rest. In the past six years, they'd advanced fourteen girls and three boys to tier-one ballet schools and thirty-six to major competitions.
Every summer, they hired two additional instructors, three on weekends, but during the school year, it was just Dara and Marie. And, of course, Charlie, once their mother's prize student, her surrogate son, her son of the soul. And now Dara's husband. Charlie, who couldn't teach anymore because of his injuries but who ran all the business operations from the back office. Charlie, on whom so many students had passing crushes, a rite of passage, like the first time they took a razor blade to their hardened feet, or the first time they achieved turnout, rotating their legs from their hip sockets, bodies pushed to contortion. Pushed so far, the feeling ecstatic. Her first time, Dara felt split open, laid bare.
The Durant School of Dance was an institution. Children, teens came from three counties to take classes with them. They came with sprightly dreams and limber bodies and hard little muscles and hungry, lean bellies and a desire to enter into the fairy tale that is dance to little girls and a few special little boys. They all wanted to participate in the storied Durant tradition set forth by their mother thirty or more years ago. Encore, ŽchappŽ, ŽchappŽ, watch those knees. Their mother, her voice subdued yet steely, striding across the floor, guiding everything, mastering everything.
Excerpted from The Turnout by Megan Abbott. Copyright © 2021 by Megan Abbott. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
 (1).gif)
If there is anything more dangerous to the life of the mind than having no independent commitment to ideas...
Click Here to find out who said this, as well as discovering other famous literary quotes!
Can you name the title?
Test your book knowledge with our daily trivia challenge!
Your guide toexceptional books
BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.
