Kingsolver's ability to convey the guilt of foreign powers over the oppression of the Congo and its inhabitants is one of flair and a real depth of understanding as yet unachieved by many authors previous attempts. The use of Orleanna's passages evoke this sense of guilt at the beginning of each book, standing as a constant reminder to the reader of the burden of guilt she and we as readers must bear.

Kingsolver's use of narrative perspective through the four Price women and her refusal to give Nathan a voice makes the sense of breaking free from oppression even more poignant Not only does The Poisonwood Bible portray the Congolese's plight for independence, it also conveys Orelanna and her children's escape from Nathan's grasp and the oppression of a man whose belief in himself as the "bringer of light" is overwhelming.

Kingsolver's grasp of language and her ability to create images such as the jungle that 'eat's itself' conjures up the idea of regeneration that is ever prominent in her depiction of the Congo, greatly contrasting her open criticism of western intervention which is filled with portrayals of corruption and destruction.

This family saga with a much deeper message than simply the plight of a western family in the Congo, creates a novel worth of recognition and despite losing some poignancy towards the end, Kingsolver recaptures her message in her final emotive paragraph.