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Jonathan Stroud, author of the Bartimaeus Trilogy for older children discusses his life and his books.
Please tell us about background
I was born in Bedford, England, on 27th October 1970. When I was six my family
moved to St Albans, near London, which is where I grew up. From very early on I
enjoyed scribbling stories and drawing, and for a long time the two sides were
equally balanced: pictures interested me as much as words. Between the ages of
seven and nine I was quite often ill, and spent long periods in hospital and at
home in bed. During this time I escaped from boredom and frustration by reading
furiously: books littered my bedroom floor like bones in a lion's cave. I tended
to enjoy stories of magical adventure more than ones about real life – I think
this was because they provided a more complete escape – and around this time I
fell in love with fantasy.
Throughout my school years I experimented with different kinds of writing, often
illustrated. (See Early Stuff for some examples.) I tried comics, gamebooks,
board games, and later poems and plays. Without being entirely aware of it, I
was searching for the kind of writing that suited me best. Meanwhile, I was
getting more and more interested in other people's writing: finally I went to
York University, to read English Literature.
Like many English graduates, I left university without a clue what to do. But I
got an editorial job at Walker Books, in London, and began to learn about
children's books. For several years I worked as an editor: helping authors with
their ideas and their texts, consulting with designers and artists about the
visual side, helping to create books of many kinds. I worked on encyclopaedias,
history books, game books and even a children's Bible. This taught me a lot of
things about structure, pace and style; meanwhile, in my free time, I was busy
writing also. I did several puzzle books for Walker, and began working on a
novel too. When Buried Fire was published in 1999, I knew that I had found what
I truly wanted to do, but it took until 2001 before I finally took the plunge,
gave up being an editor and tried to write full time.
The same year I married Gina, and we have a daughter called Isabelle. Most days
I cycle out to my study (see My Working Day), and shut myself away from the
world while I write. But I also enjoy doing as many events and author visits as
possible: it's essential that a writer reminds himself of who he is writing for…
When did you start writing?
Around the age of seven I began writing rip-roaring adventures inspired by
the works of Enid Blyton. These featured bands of children, robbers, stolen
loot, ruined castles, secret passageways and hidden doors that swung open if you
tripped on a tree root. All the other children in my class wrote stories that
ran maybe a couple of pages; mine went on indefinitely until the teacher ran out
of paper. I'd discovered that the pleasure of reading something exciting could
be extended into the thrill of writing it too.
How old were you when you published your first book?
When my book of word puzzles came out, I was 23. My first novel appeared
when I was 28.
How long does it take to write a book?
My first published book, which was a collection of word puzzles, took me a
month to create. I shut myself away and worked every day until it was done. A
longish novel, such as The Amulet of Samarkand, takes a year or so. Usually
there's a couple of months when you're developing the idea and doing a bit of
stop-start writing, then you've got maybe 4-5 months of solid writing, until the
first draft is done. After that there are perhaps 2-3 months of rewriting,
editing and copyediting. And then you have to wait for another few months for
the thing to be printed and published! But a lot depends on the length and
complexity of the individual book.
Where do you get your ideas from?
Ideas come from everywhere and can hit you at any time. I once got a very
good one in the bath. The idea of Bartimaeus came while walking gloomily home in
the rain. Ideas can be big or small – crashing insights or half-baked
intuitions. I think they come from almost anything: people you meet, places you
go, things you read, conversations overheard, dreams, newspapers, today's
television, childhood memories. The thing to do is write them down when you get
them, or they'll quickly drift away.
How do I become a published writer?
There's no hard and fast rule about how to get published, and most writers
experience rejections and disappointments before they succeed. I think the key
things are:
What's your favorite book that you've written?
I'm pretty proud of all of them, but I guess it has to be Ptolemy's Gate,
because this was the most challenging. I had to bring the Bartimaeus Trilogy to
a satisfying conclusion and tie up every thread, and I'm happy with the way it
worked out.
Who's your favorite character from your own books?
It has to be Bartimaeus, because he's the most fun to write. I like doing his
jokes and footnotes, and I love the energy of his voice. It was when I first
heard him speak, on the first page of The Amulet of Samarkand, that I knew the
book would be exciting – and this was before I knew anything else about it!
Do you base your characters on people you know?
Not really. I suppose all writers must create their characters from bits and
pieces of people that they've met or seen, but I don't deliberately set out to
reproduce a living person. Having said that, the early character of Nathaniel in
The Amulet of Samarkand is a bit similar to the way I was when I was in my early
teens – proud, uptight, idealistic, hard-working, over-serious. I hope there's a
bit more of Bart in me these days.
Who's your favourite author?
I don't have a single favourite; it depends on my mood. I love Robert Louis
Stevenson, who did Treasure Island, because he writes literary books that are
also great adventure stories. Other favourites, who are all very different, are
Dashiell Hammett, Evelyn Waugh and PG Wodehouse.
What's your next book going to be?
I can't tell you yet. It's too early. When a book is just being started, it's
weak and feeble and needs to be protected. So I keep it very close to me, while
it gathers strength. With luck one day it'll be sturdy enough to send out into
the wider world!
Reproduced from http://www.jonathanstroud.com/ with permission of the author.
Unless otherwise stated, this interview was conducted at the time the book was first published, and is reproduced with permission of the publisher. This interview may not be reproduced or reprinted without permission in writing from the copyright holder.
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