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From the author of Blackfishing the IUD, a darkly hilarious novel about familial trauma, chronic illness, academic labor, and contemporary art.
In the tradition of Rabelais, Swift, and Fran Ross—the tradition of biting satire that joyfully embraces the strange and fantastical—and drawing upon documentary strategies from Sheila Heti, Caren Beilin offers a tale of familial trauma that is also a broadly inclusive skewering of academia, the medical industry, and the contemporary art scene.
One day Iris, an adjunct at a city arts college, receives a terrible package: recently unearthed letters that her father had written to her in her teens, in which he blames her for their family's crises. Driven by the raw fact of receiving these devastating letters not once but twice in a lifetime, and in a panic of chronic pain brought on by rheumatoid arthritis, Iris escapes to the countryside—or some absurdist version of it. Nazi cows, Picassos used as tampons, and a pair of arthritic feet that speak in the voices of Flaubert's Bouvard and Pécuchet are standard fare in this beguiling novel of odd characters, surprising circumstances, and intuitive leaps, all brought together in profoundly serious ways.
"The explosive latest from Beilin is at once a multilayered satire and an earnest depiction of personal pain and loss...The author lands on an infectious and perfect blend of cultural criticism, wry writing advice ('Don't bother writing a character since people change'), and magnificently weird storytelling. Belin's account of reemergence manages to be both hilarious and deeply moving." - Publishers Weekly (starred review)
"Most impressive, perhaps, is the darkly comic strain that persists throughout the novel...Iris' wholly unique voice makes for a very funny work. This wide-ranging, idea-driven novel leaves the reader with much to think about, deftly provoking questions about the nature and ethics of trauma and contemporary art. A fresh, funny, and striking experimental work with surprises at every turn." - Kirkus Reviews
"Animated with the moxie and wit of Acker and Tillman, Caren Beilin is one of the most bizarre and fearless writers of her generation. Revenge of the Scapegoat is a surreal take on the tendency people have to damage those we claim to love and the way parental cruelty renders the world unrecognizable." - Catherine Lacey
This information about Revenge of the Scapegoat was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Caren Beilin is the author most recently of a nonfiction book, Blackfishing the IUD, a memoir, Spain, and a novel, Revenge of the Scapegoat. She teaches creative writing at the Massachusetts College of Liberal Arts and lives close by, in Vermont.
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