Book Club Discussion Questions and Guide for Good Night, Irene by Luis Alberto Urrea

1. Irene and Dorothy have very different reasons for joining the Clubmobile Corps. What do you think each of them hopes to get by joining, and do they find what they're looking for?
2. The Rapid City's commandments are: "Roll on down the road. Nothing means a thing. Don't look back. Don't apologize. Don't concede. Don't let them see you cry. The Rapid City comes first. Never surrender." How does each of these come across in the women's daily experiences? Does upholding the commandments change how they see their role in the war?
3. Dorothy comments that everyone loves Irene. Why does Irene cultivate this image of herself? How does it differ from Dorothy's own self-created image when speaking to the Gls? Do the versions of themselves they portray to the soldiers differ from who they are to each other?
4. Irene and Dorothy have a turning point in their experience of the war over one night in a small French town. How does the night change each of their views of the war, soldiers, and officers?
5. How does going from the front lines to R&R in Cannes force the women to think about their time in the war so far? Would they have come to these realizations without the break? In what way does the break impact their return to the Rapid City and continued service?
6. Each meeting the women have with Zoot shows a different side of him, particularly in regard to how he views the deaths of combatants and non-combatants. What ways does he look at death, and how do his views shift throughout the war?
7. Irene, alone at Bastogne during the Battle of the Bulge, begins to lose track of herself, time, and reality without her truckmates. How do the truckmates anchor her? How has her identity become tied to the truck and her companions?
8. Throughout the book, the Rapid City receives letters from soldiers they've encountered. What is the purpose of those letters? How do they impact the women?

Unless otherwise stated, this discussion guide is reprinted with the permission of Little Brown & Company. Any page references refer to a USA edition of the book, usually the trade paperback version, and may vary in other editions.