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How to pronounce Anchee Min: an-key min
Anchee Min was born in Shanghai in 1957 during the rule of communist leader Mao Zedong. She was chosen to become a leader of the Little Red Guards, a group of elementary school children who supported and believed in Mao's ideas. Like every child of her generation, Min was taught to write "Long Live Chairman Mao!" before she was taught to write her own name. She believed in Mao and Communism. At the age of 17, she was sent to a labor camp near East China Sea, where she discovered the truth of Mao's calling. She endured mental and physical hardships, which included a severe spinal cord injury.
She worked for three years before talent scouts spotted her toiling in a cotton field. Madame Mao, preparing to take over China, was looking for a leading actress for a propaganda film. Min was selected for having the ideal "proletarian" look. Mao died before the film was complete, and Madame Mao, blamed for the disaster of the revolution, was sentenced to death. Min was labeled a political outcast by association. She was disgraced, punished, and forced to perform menial tasks in order to reform herself. In 1984, with the help of actress Joan Chen, Min left China for America. She spoke no English when she arrived in Chicago, but within six months had taught herself the language in part by watching "Sesame Street" and "Mr. Roger's Neighborhood" on American television.
Her writing has been praised for its raw, sharp language and historical accuracy. Her bestselling memoir, Red Azalea (1994), the story of her childhood in communist China, has been compared to The Diary of Anne Frank. Min credits English with giving her a means to express herself, arming her with the voice and vocabulary to write about growing up during China's Cultural Revolution. "There was no way for me to describe those experiences or talk about those feelings in Chinese," she has said of a language too burdened by Maoist rhetoric. Today she writes candidly about events she was once encouraged to bury. The New York Times has called her "a wild, passionate and fearless American writer." Her latest book The Cooked Seed: A Memoir is continued where Red Azalea left off.
Since the completion of her memoir, Min has written five subsequent works of historical fiction: Katherine, Becoming Madame Mao, Wild Ginger, Empress Orchid and The Last Empress. The books attempt to re-record histories that have been falsely written. "If my own history is recorded falsely, how about other people?" she asks. Both critics and writers have praised her work, calling it "historical fiction of the first order."
Her novel, Pearl of China, published in the UK and USA in March 2010, tells the story of Pearl Buck, one of the twentieth century's greatest writers (winner of both the Pulitzer and Nobel Prize), from the perspective of the people she loved and of the land she called home.
In addition to being an author, Min is also a known painter, photographer, and a musician.
Anchee Min's website
This bio was last updated on 06/26/2017. In a perfect world, we would like to keep all of BookBrowse's biographies up to date, but with many thousands of lives to keep track of it's simply impossible to do. So, if the date of this bio is not recent, you may wish to do an internet search for a more current source, such as the author's website or social media presence. If you are the author or publisher and would like us to update this biography, send the complete text and we will replace the old with the new.
Pearl of China is the story of Pearl S. Buck. Why did you decide to
tell Pearl's story?
Pearl Buck and I have a long history together, and in some sense
that story is at the heart of my novel. As a teen back in China in
1972 during the Cultural Revolution, I was asked to denounce Pearl
Buck as an "American cultural imperialist." Though I wasn't given a
chance to read The Good Earth, I dutifully went ahead and made the
denunciation. Years later, when I was living in America and on a book
tour for my memoir Red Azalea, a fan thrust a copy of Buck's most
famous novel into my hands as a gift. I read the book on a plane and
burst into tears. I cried because I realized how beautifully Buck had told
the story of the Chinese peasant, in a way that few others, even Chinese,
had ever done. And I cried because I was only then realizing this, and
that I was only one of a generation that had been indoctrinated to think
poorly of Buck.
I wrote the novel to show where Pearl's great sensitivity and insight
into the Chinese and Chinese culture came from. And also to show how
the relationship between Pearl Buck and China changed over time, just
as ...
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